Corey S Powell
@coreyspowell@mastodon.social  路  activity timestamp 12 hours ago
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
Corey S Powell
@coreyspowell@mastodon.social  路  activity timestamp 12 hours ago
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"This is one of my biggest astrophotography accomplishments to date, and the largest panorama I have ever captured, with the full resolution image containing over a billion pixels from 62 images stitched together. I had envisioned this composition for a long time, capturing the twin glacial rivers with the Milky Way core off to the left of the image, as well as the famous Southern Cross and other pointers high in the centre sky."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
"During a routine time-lapse observation of the solar chromosphere [the thin, reddish layer of the Sun鈥檚 atmosphere above the visible surface], I captured a serendipitous moment when an aircraft crossed the field of view. Preserving this transient frame, I employed multiple blending modes to enhance the details of the solar background. Beyond stacking individual video frames, I processed the sequence, undertook colour inversion and synthesised 100 images through combined mean and minimum blending. This dual approach effectively accentuated both bright plages [active regions in the chromosphere] and dark laments through enhanced contrast. "The composite image reveals the evolution of the Sun鈥檚 dynamic surface across a two-hour observational period, while the aircraft鈥檚 two-second transit remains frozen in time. This layered imaging rearranges time, blending celestial bodies and human technology in one photo."
mononoir
@mononoir@pixelfed.art  路  activity timestamp 15 hours ago
mononoir
@mononoir@pixelfed.art  路  activity timestamp 15 hours ago
ken Tucky Swinson
@kenSwinson@indieweb.social  路  activity timestamp 17 hours ago
Lawsuit over President Trump's National Guard deployments grows
ken Tucky Swinson
@kenSwinson@indieweb.social  路  activity timestamp 17 hours ago
Lawsuit over President Trump's National Guard deployments grows
Laura Manach :bongoCat:
@cmconseils@mastodon.social  路  activity timestamp yesterday
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
Chris Silverman 馃尰
@csilverman@mastodon.social  路  activity timestamp yesterday
A huge, brown, heavy vehicle sits on the side of the road in the middle of the desert, under a yellow sky and a blazing white sun. The side of the vehicle is crisscrossed with metal beams and striations. While we only see the front of it, it looks like it's designed to survive the end of the world. Its front wheel is as tall as a person. There is only one small green window visible on the side. On one fender is mounted a glowing orange light. A glowing red light sits higher up. Walking away from the vehicle, down the road, is a person carrying a red fuel can. The painting is signed "Chris Silverman".
A huge, brown, heavy vehicle sits on the side of the road in the middle of the desert, under a yellow sky and a blazing white sun. The side of the vehicle is crisscrossed with metal beams and striations. While we only see the front of it, it looks like it's designed to survive the end of the world. Its front wheel is as tall as a person. There is only one small green window visible on the side. On one fender is mounted a glowing orange light. A glowing red light sits higher up. Walking away from the vehicle, down the road, is a person carrying a red fuel can. The painting is signed "Chris Silverman".
A huge, brown, heavy vehicle sits on the side of the road in the middle of the desert, under a yellow sky and a blazing white sun. The side of the vehicle is crisscrossed with metal beams and striations. While we only see the front of it, it looks like it's designed to survive the end of the world. Its front wheel is as tall as a person. There is only one small green window visible on the side. On one fender is mounted a glowing orange light. A glowing red light sits higher up. Walking away from the vehicle, down the road, is a person carrying a red fuel can. The painting is signed "Chris Silverman".
Laura Manach :bongoCat:
@cmconseils@mastodon.social  路  activity timestamp yesterday
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A small, clever piece of mixed-media street art on a concrete ledge. It consists of a painted cutout of a figure in a black robe holding its head in its hands. The head is replaced by a real, miniature hollow brick, with the holes acting as eyes, creating a look of anguish or distress.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
A clever piece of street art where a large poster reproducing a classical painting of two women looking out a window has been installed within a real window frame of a building. In the foreground, a modern young woman walks down the sidewalk, passing by the artwork.
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